The duo, featuring Gosling and musician Zach Shields, unveiled a new single titled Lost in the Night on October 26, 2026, alongside a black-and-white music video.

The release marks their first new material since their self-titled debut album arrived in 2009. The band is known for its distinctive mix of indie rock, haunting melodies, and supernatural themes.

Lost in the Night was recorded in a single day at a farm outside Los Angeles, with producer Tim Anderson returning to work with the duo.

The accompanying video stars actors Noah Jupe and Rain Spencer. It follows two young people who leave a cemetery and spend the night exploring the city together.

Gosling’s wife, Eva Mendes, also helped build anticipation for the release through social media.

The timing places the band’s return just days before Halloween, a fitting moment for its gothic-inspired sound.

For now, Dead Man’s Bones has not officially announced a second album or upcoming tour dates.

The performance was part of the band’s four-night residency on the late-night show during Halloween week. The group opened the series on October 26 with “Window,” a track from their 2026 album Your Favorite Toy.

“This Is a Call” originally appeared on Foo Fighters’ self-titled debut album, released in 1995. Dave Grohl recorded most of the album himself after Nirvana ended following Kurt Cobain’s death in 1994. The project eventually developed into a full band and launched a career spanning more than three decades.

The television appearance connected two different periods in the group’s catalog, bringing an early fan favorite alongside material from their latest release.

Foo Fighters have released 12 studio albums and were inducted into the Rock & Roll Hall of Fame in 2021. The band is also preparing for another series of stadium performances in Australia.

In an interview published October 26, Sharon opened up about life following the Black Sabbath singer’s death on July 22, 2025, at age 76. She explained that choosing a private burial allowed Ozzy to rest peacefully, away from public attention.

The couple had been married for more than four decades, sharing a life that included raising their family, building Ozzy’s career, and appearing together on television.

Sharon acknowledged that losing her husband has been difficult and that she is learning to live with his absence rather than expecting the grief to disappear.

She also reflected on their final night together and Ozzy’s last performance with Black Sabbath in Birmingham, England, just weeks before his death.

Despite years of health challenges, Ozzy returned to the stage on July 5, 2025, for a farewell concert that reunited him with his original Black Sabbath bandmates.

For Sharon, visiting his grave remains part of her daily routine.

The British singer-songwriter addressed the issue on Instagram, expressing frustration that some tickets were priced higher than he had originally intended. Premium standing tickets for his Wembley Stadium concert had reached £130.75, prompting criticism from fans.

In response, Fender confirmed that premium front-standing sections would be removed entirely. All standing ticket holders will now have the same opportunity to reach the front of the stage, regardless of where they stand when entering the venue.

General standing tickets will cost £85 before additional fees, while seated tickets will be available at £55, £75, and £95.

Fender also explained that certain venue and ticketing fees remain outside his direct control.

The tour will include performances in Newcastle, London, Cardiff, Edinburgh, and Manchester, along with a scheduled show in Dublin.

A £1 contribution from each ticket will support the LIVE Trust, an initiative helping grassroots music venues across the UK.

White confirmed the news in a heartfelt Instagram tribute, remembering his brother as a generous, funny, and caring person who played an important role in his life and career.

Gillis spent approximately a decade managing Third Man Pressing, the Detroit vinyl manufacturing facility connected to White’s Third Man Records. During his time there, he helped oversee the production of hundreds of thousands of vinyl records.

Before entering the music industry, Gillis worked as a pastry chef, including positions at the Ritz-Carlton and Beaumont Hospital.

White also shared childhood memories of his brother, who played guitar while Jack focused on drums. Eddie later taught him how to string a guitar, fish on the Detroit River, and drive a manual-transmission car.

Beyond his work, Gillis enjoyed making small sculptures from leftover vinyl materials.

He is survived by his wife, Angie, and their two children, Amelia and Garrett.

Filed on October 23, 2026, the lawsuit claims that Anthropic used protected musical works to train its AI systems without obtaining permission or compensating the copyright owners.

The disputed catalog includes well-known Elvis recordings such as Can’t Help Falling in Love, All Shook Up, Don’t Be Cruel, and Return to Sender.

The plaintiffs also allege that Claude can reproduce lyrics or generate material closely resembling copyrighted songs, raising questions about how AI systems process and reproduce protected creative works.

The rights holders are seeking approximately $41.1 million in damages, with the possibility of additional compensation depending on the legal proceedings.

Anthropic disputes the allegations and intends to defend itself against the claims.

The case adds to ongoing legal disputes between copyright owners and artificial intelligence developers over the use of music and other creative content in AI training.

The British singer-songwriter addressed the issue on Instagram after fans raised concerns about ticket costs, particularly premium standing options that reportedly reached £130.75 for his Wembley Stadium concert.

Fender explained that the prices were higher than he had intended and questioned the decision to divide standing areas into separate sections based on ticket prices.

On October 24, the musician confirmed that premium front-standing sections would be removed from his UK stadium shows.

Under the revised pricing structure, general standing tickets will cost £85, while seated tickets will be available at £55, £75, and £95, excluding additional fees.

The changes come as ticket affordability remains a major concern for concertgoers, particularly at large stadium events where production and operating costs can significantly affect prices.

Fender’s decision gives fans more straightforward ticket options while removing the premium standing arrangement that had attracted criticism.

The 2027 tour will bring the musician to major venues across the UK and Ireland.